1. ‘Green Book’ is the rare Hollywood crowd-pleaser that triumphs on all counts

    The title of Green Book derives from a period when African Americans often traveled at their own risk, especially in the Jim Crow South. Unwelcome in many restaurants, hotels and other public establishments, they even faced death in “sundown” towns, where they were warned to get out before evening, or else. In response, a postal employee […]
  2. Viggo Mortensen & Mahershala Ali in Green Book

    ‘Green Book’ Review: Odd-Couple Dramedy Is Timely Feel-Good Movie

    Peter Travers gives high marks to the Green Book director and cast: "Ali, a Best Supporting Actor Oscar winner for Moonlight, is superb at finding the buried rage in a refined artist challenging fellow Americans who never accepted the abolition of slavery.... The role is a game-changer for [Mortensen], whose dramatic chops are a given but proves he’s got a real flair for comedy that feels revelatory. He and Ali could take their own double act on the road." The reviewer concludes that "in a time when our nation is more divided than ever, the movie offers the possibility of redemption. Thanks to the dream team of Mortensen and Ali, audiences will be cheering."
  3. Shree Crooks, Viggo Mortensen, Samantha Isler, Nicholas Hamilton, Annalise Basso, George MacKay, & Charlie Shotwell in Captain Fantastic

    Review: Captain Fantastic

    "Viggo Mortensen may be the most taciturn actor in American movies today. His weatherworn, handsome face ... communicates character with only the slightest of movement, with rarely a hint of premeditation. You can’t slack off while watching one of his performances; his delicate way of registering feeling requires your utmost attention."
  4. The Passion of Darkly Noon (review)

    Reviewer Gonsalves appreciates Philip Ridley's vision, even though he realized it's not for everyone: "By the time you get to the giant glittering silver shoe floating in the river, you'll know whether The Passion of Darkly Noon is your kind of insanity." Barely mentions Viggo but gives an interesting perspective on what he terms "another way-off-center masterpiece by Philip Ridley." Rating: 5/5 stars.
  5. Cannes Takes America to Task

    Although A History of Violence may well be Cronenberg's most mainstream film in years, the 62-year-old Toronto native still aimed to make the audience do a little work for its entertainment. It is that characteristic, says Mortensen, that drew him to the project.
  6. Review: Hidalgo

    Reviewer likes Viggo's performance more than he likes the film: "As an action hero, Mortensen is an acolyte of the Clint Eastwood/Kurt Russell school of stoic minimalism. His quietly virtuous über-cowboy speaks—in a steely rasp, of course—only when he needs to, and even then, he says only as much as he needs to say. Mortensen nicely underplays his role, offhandedly tossing off one-liners and making the script's sometimes purple dialogue sound a little less cheesy, but the rest of the film often lurches into hammy overdrive."
  7. The Passion of Darkly Noon (1996) Movie Review

    Reviewer Dragan Antulov gives The Passion of Darkly Noon a 4/10 rating, saying that it "could have been quite remarkable film" but that in the last act "everything succumbs to clichés and [it] turns into "just another slasher film." He remarks that the casting was "perfect," and goes on to say that "Judd is seductive and innocent in the same time. Something similar could be said of Viggo Mortensen who is also effective in rather thankless role of her dimwitted and rugged boyfriend."
  8. The myth made real

    Reviewer Fazio reluctantly acknowledges how impressed he is with The Fellowship of the Ring, from the script to Peter Jackson's attention to detail to the acting. Excerpt: "It's McKellen, with a voice that truly could summon forth the spirits, who provides the film with depth and gravitas. His is a mesmerizing performance, with Gandalf at times looking like the aged, weary man who knows his time is getting short, and then, like a cat, suddenly revealing a flash of vigor and ferocity, the fire that still burns within. Subtract this performance and you could lop one star off this review."
  9. Power can be held in the smallest of things - The Fellowship of the Ring

    The Lord of the Rings: The Fellowship of the Ring (2001)

    Detailed review of The Fellowship focuses on the differences between the books and the films and the reasons for the changes. In spite of some reservations, he is impressed. "The filmmakers have shown great respect for their source material. I was moved by Peter Jackson’s passionate, caring, and human portrayals of these characters and dramas.... I’ve imagined these scenes my whole life, and to see them portrayed as vividly, or more vividly than I have imagined, really shook me. I felt like I was meeting in person someone with whom I had only corresponded long distance for decades."
  10. The Passion of Darkly Noon (1995)

    Damian Cannon begins his review: "A twisted, haunting fantasy-tale, The Passion of Darkly Noon weaves the fate of strangers together and plunges them headlong into destruction." After discussing the film's plot, characters and metaphors, Cannon concludes that "as in most fairy-tales, the storyline is slight and only a small element of the final picture. Instead the interaction between characters, symbols, sound and light provide the engine which drives Darkly on his inexorable path towards chaos. It is these factors which make [the film] such a compelling and absorbing experience, encompassing viewers willing to experiment with a little logical relaxation. While unlikely to appeal to all, The Passion of Darkly Noon is worth a visit by those looking for something off the beaten track." He rates it 4/5 stars.
  11. The Passion of Darkly Noon by Philip Ridley

    Of The Passion of Darkly Noon, film festival reviewer TR observes that "The brutality and contradiction of human nature is revealed without any romanticizing, by using dream-like images which are open to interpretation." He concludes that "The Passion of Darkly Noon secures Philip Ridley's position as one of the most interesting young British filmmakers of today."